Pentatuch
Creation
Adam and Eve
Cain and Abel
Noah
Call of Abraham
Sarah, Rebecca, Rachel
Joseph Sequence
Slavery in Egypt
The Call of Moses
Exodus
Ten Commandments
The Promised Land
Elijah
Hannah and Samson
Ruth
David and Goliath
King David and Solomon
Exiled in Babylon
Esther
Naman
Jonah
Isaiah
Nativity
John the Baptist
Annunciation to Mary
Jesus’ Birth
Epiphany
Jesus in the Temple
Jesus’ Baptism
Temptation of Jesus
Call of the Disciples
Jesus’ Public Ministry
Wedding at Cana
The Good Shepherd
Lord’s Prayer
Parable of Talents
Zaccheus
Workers in the Vineyard
Salt and Light
Jesus Calls the Children
Sermon on the Mount
Transfiguration
Holy Week
Entrance into Jerusalem
Cleansing of the Temple
Foot Washing
Last Supper
Betrayal
Jesus before Pilate
Crucifixion
Easter
The Road to Emmaus
Thomas
Pentecost

Annunciation to Mary

“Being Poor”

“Being Poor” is a story about some of the people Mary sings about—those who do not have enough. The story will help us think and talk about what it is like to be poor. Read “Being Poor” by Janet Rosenberg. Suggest to the children that they pay special attention to the people’s faces in the book.

Are the people happy or sad or worried? How can you tell from their faces?

After you have read the story, consider the following questions:

Pearls by Sade

The student resource for older students explores the realities of hunger and poverty. The pages contain three pieces of poetry or lyrics to which students are invited to react: a poem written by an Indian author, a poem pondering why hunger exists, and song lyrics that explore the experience of desperate poverty. There is much about the actual experience of poverty and hunger that is beyond the reality of most American teens. These pieces prod the students to consider a reality perhaps far from their own.

The Arithmetic of Poverty

Before the students turn to page 10, ask them to listen carefully while an adult reads The Arithmetic of Poverty. After reading the poem, ask the students to turn to page 10 where it is printed. Consider the following tensions represented in this section:

How Come?

Read through How come? on page 10. Consider the following matters captured in this poem:

Pearls

Ask the students to read the lyrics to the song Pearls and then respond to them. The students may record their reflections in the boxes provided on the page. After students have reflected on the song, engage the whole group in a follow-up conversation. Use the interpretive information about the song provided below to help you be prepared for the conversation. The following matters would be worth considering:

Information for Leaders: Pearls, Sade

Pearls was composed and performed by Helen Folasade Adu, whose professional name, Sade, is a shortened version of her middle name. Sade is pronounced sha-day. Sade was born in Ibadan, Nigeria, to an English mother and a Nigerian father. She lived in Colchester, Essex (England) from the age of four.

Pearls was written in 1992 to draw attention to the political turmoil, fighting, and starvation that plagued Somalia. The song contemplates a human tragedy that is so complete and horrific it is nearly impossible to describe in words. Many people in the United States live essentially isolated from the kind of desperation experienced by Somalis and many others around the globe. Sade’s Pearls knocks at our doors, making us face the reality known to so many of our brothers and sisters.

This song is quiet, contemplative, perhaps even prayerful. It imagines the struggle of a mother reduced to trying to feed her child by gathering kernels of grain that have fallen along a roadside. For this mother, facing certain starvation, the found grain is nothing short of pearls—gems that represent a modest and fleeting reprieve from the immediacy of starvation.

One of the most humbling points in the song affirms that the woman lives a life she did not choose. Few would choose to live within the shadow of starvation, and even fewer would desire such a life for their children. It is equally important to remember that our lives, too, are not simply the product of our choices. The accidents of birth and forces of history have much to say about people’s lives.

The piece takes a startling turn when the singer, contemplating the woman’s poverty, uses the extraordinarily inadequate comparison that it “hurts like brand-new shoes.” This phrase demonstrates that there is very little in our own lives to compare to the experience of hunger and poverty.

Another quite startling point comes when the word “hallelujah” is repeated twice. The woman seems to have no reason to rejoice, and yet the hallelujahs come. Through the inclusion of this word, a song that was a psalm of lament becomes like a psalm of praise. “Hallelujah” seems to represent a mother who according to all logic should have crossed the threshold into hopelessness, immobility, and utter despair. Yet  she holds onto hope for her child’s future. This crazy, illogical, defiant hope is the stuff of Christian faith.